In ch.2 of Window Shopping: Cinema and the Postmodern (U of California P, 1993), Anne Friedberg discusses the relationship between the city, modernism, film and architecture. How do her ideas of modernity, particularly her terms 'machines of vision' and 'machines of mobility', relate to 1 or 2 sequences in Tati's Mon Oncle (1958)? Anne Friedberg's ideas of modernity - including the mobilization of the gaze amidst the modern city, consumerist self-gratification through fetishist agoraphilicism, and the dissolution of distinct …showed first 75 words of 2027 total…

…showed last 75 words of 2027 total…world which has no choice but to accept, and indeed make the most out of, this socio-visual evolution. <Tab/> REFERENCES: *<Tab/>Mon Oncle (1958) Director, Jacques Tati : Criterion Collection [DVD] *<Tab/>Friedberg, A. 'The Passage from Arcade to Cinema' p68-94 in Window Shopping: Cinema and the Postmodern. Berkeley : University of California Press, c1993 *<Tab/> *<Tab/>